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REDUCED BEV DOOLITTLE LE PRAYER FOR THE WILD THINGS FABULOUS FRAMING - $800 (SURREY)
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SPECIAL REAL WOOD FRAME, 3 MATS, TOP SUEDE, FANCY CUTS, REGULAR GLASS. COMES WITH THE COA AND HIDDEN IMAGE KEY.
Depicts a Native American Chief reaching up to the darkened sky in "prayer for the wild things".
This is a camouflage art piece with 34 hidden images covering 26 different species of wild life.
THE AD WILL BE REMOVED ONCE SOLD.
OPEN TO REASONABLE OFFERS.
ABOUT THE PRINT
"When I sit at home in my art studio, I always have my CD player on. The music is more than a background; it is an inspiration. Paul Winter's music paints pictures of nature for me.
"Music and painting are two forms of art and all art is essentially a method by which we communicate on an emotional level. 'Prayer for the Wild Things' is our attempt to surround you with an emotional, visual and musical message concerning our place in the natural world and our connection to all wild things.
"Real art comes from the heart. In 'Prayer for the Wild Things, I've tried to express my feelings about our relationship with the wild animals we share this Earth with. Paul is doing the same thing in his own way, by reaching out with his music to touch our feelings. Paul and I have tried to express, in harmony, our love for all the wilderness and its creatures."
ABOUT THE ARTIST
The name Bev Doolittle is synonymous with the term " camouflage art," a term which did not exist before the release of the artist's groundbreaking image PINTOS in 1979. Nevertheless, it has always been the stories and ideas behind Doolittle's art which have intrigued her the most, remaining adamant that her use of camouflage is a means to an end- and not an end in itself- to convey her messages about wilderness, wildlife and Native American culture.
Since that first and infamous print, Doolittle has been nothing less than a fine art phenomenon with her edition sizes and sell out rates setting records and her exquisitely detailed and beautifully rendered prints bringing enjoyment of art to entire families.
Bev Doolittle’s phenomenal success has been a by-product of her desire to work hard at what she loves to do most – create art with meaning.
“My love for nature, as well as man’s relationship with it, is the driving force behind all of my artwork. Painting is a growth process. By giving each of my pursuits my best effort, and by learning from my mistakes, doors have opened for me that I could not have anticipated.”
For Bev, one of those doors was with The Greenwich Workshop, who produced her first limited edition print, Pintos, in 1979. It sold out at the publisher within weeks. “I am not a prolific painter,” Bev explains. “My art style prevents that. Reproducing my painting in print was the perfect answer. I was able to concentrate on my most important ideas while still having my work represented in galleries around North America as well as abroad. My relationship with The Workshop and its extended family of artists, galleries and their customers has been a joy for me for more than twenty-five years.”
Nearly all of Bev’s prints have been sell-outs and five books of her art have been released. Her first, The Art of Bev Doolittle, is truly a phenomenon, having sold over half-million copies of its hardback edition. Her second book, New Magic, continues the story of her painting career. She has since released three children’s books. The Forest Has Eyes was a hit with readers, both young and old. It was followed by Reading the Wild. Her illustrated novel for young readers, The Earth is My Mother includes dozens of drawings and paintings, four of which were released in print. Her desire to try new mediums as well as her fascination with sculpture, led to the creation of five limited edition porcelain boxes, each featuring one of her most popular paintings. In 2004, after a five year hiatus, Bev returned to the print art in the form of original, hand-pulled, stone lithographs. With some editions set at fewer than 20 pieces, these original prints are already rare. Bev’s work reflects her love of horses, passion for the natural world and her affinity for the Native American’s spiritual relationship to the land. Her work can also be found on calendars, journals and note cards.
Bev and her husband, Jay, both graduates of the Art Center College of Design, began married life as art directors for an advertising agency in Los Angeles. Five year of living in the city made them more aware of what they were missing: the outdoors and creating their own art. “We hoarded our savings and struck out on our own, living out of our camper for a year.
Calling ourselves, ‘Traveling Artists,’ we painted our way through the western United States, western Canada and Baja, California. It was a tremendous grown period for me. I not only developed my painting skills, but I discovered that I possessed enough self-discipline to paint every day.”
Afterward, they displayed their work in malls and outdoor art venues. “Yes, we were ‘starving artists’ for awhile!” admits Bev with a grin, “But, we were so happy doing what we loved.” Life is full of hard choices and the path of the artist is no different. “My advice to aspiring artists is simple: paint what you know, paint what you love and always paint for yourself!” For me, success followed my passion. Passion is what drives me.”
Bev, Jay and their son Jayson live close to nature in the California high desert. Joshua Tree National Park is their backyard.
" I want to change the experience of seeing... to have people think when they look at my paintings. I regard myself as a 'visual storyteller' - using camouflage as a technique to slow down the viewing process, but my meaning and message are never hidden."